With so much fresh competition in social apps right now — plus the usual set of social media platforms and messaging giants sucking up attention — it might feel like there’s precious little room to innovate in this slice of the consumer market. But the creators of a new iOS app called Yolk are joining the fray, spying an opportunity to hook into recent developments in on-device AI and attract a younger demographic.
In this playful arena, no text can be typed. Users have to message each other visually, sending custom live stickers the AI tools enable them to make. The goal: Channel kids’ energy to be creative about how they socialize by giving them low friction tools to express their individuality. Yolk also throws in some hard limits on how you can communicate to get the fun flowing.
The Yolk app — currently only available on iPhone via Apple’s App Store — leans into the “social weirdness” of identity-building, using the latest consumer tech to proffer a camera’s eye view of the user’s world. Yolk says it has three AI models running on-device to power its point-to-capture stickerfying tool. More specifically, it’s using Apple’s Vision APIs, and on-device machine learning, to power object detection and foreground/background segmentation. It also says it’s running an open-sourced “face parsing” model to be able to recognize different landmarks on a face, such as eyes, ears, nose and so on.
Let me repeat: Yolk users can’t send text messages to each other. Instead whatever they point their iPhone cameras at — their own face, hands, today’s lunch, other fun and random stuff around them — gets turned into a segmented sticker which they can share with contacts as a standalone message. The app also supports visual editing, so users can combine multiple bits of stuff they rip out of their world with other visuals it makes available (still photos and emoji are allowed), to create a more sophisticated message. There’s still no text-sharing though. Users are swapping custom collages of visuals or stickerfied clips.
Yolk sharing combos might superimpose a reaction selfie which loops a grimace atop a shot of today’s lunch, for instance, or have a rude hand gesture bop about in front of a still from a hated TV show. The app is obviously more about sending feels and having fun than getting into nuanced discussions or sustained and serious conversations. Other messaging apps are available for that.
The app includes a feed where posts are shared with all the user’s contacts. Content here can include standard photos but the app encourages users to augment snaps by adding an animated reaction selfie/sticker on top. (Front and back cameras are available for reactions and stickerizing.) Yolk also has a direct messaging channel where users can share one-to-one — but, still, there’s no keyboard! — so this is also messaging via expression (selfies), body lingo (hands), or other custom stickers.
Profile pages on Yolk are envisaged as spaces for exhibiting expression and identity. Here users are encouraged to curate a collection of animated selfies and other expressive gestures. They can use this personal space to show off their fave custom stickers of cherished objects, people, vibes, ideas, or whatever, so visitors get a feel for who they are.
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The overall effect is a kind of fidget-y digital scrapbook — one where the scraps jiggle endlessly, imbued with a crude simulacrum of life as their captured motion loops around like an animated GIF.
Yolk’s aesthetic is raw, immediate and, intentionally, a bit janky or retro. The vibe is part edgy, part cartoony — and the team may well be borrowing from the ideas department that Zenly founders have been pushing lately, via their new project, Amo, and their first app, ID. Yolk’s app can, similarly, be filed under “messthetic“.)
Natasha was a senior reporter for TechCrunch, from September 2012 to April 2025, based in Europe. She joined TC after a stint reviewing smartphones for CNET UK and, prior to that, more than five years covering business technology for silicon.com (now folded into TechRepublic), where she focused on mobile and wireless, telecoms & networking, and IT skills issues. She has also freelanced for organisations including The Guardian and the BBC. Natasha holds a First Class degree in English from Cambridge University, and an MA in journalism from Goldsmiths College, University of London.
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